This motion design project breathes new life into a static, vintage-style poster by reimagining its classic aesthetic through animation. Subtle movements, such as gently fluttering typography, textured fades, and slow, cinematic zooms, preserve the poster’s nostalgic charm while adding dynamic depth. Key elements like illustrated figures and flourishes are animated in layered compositions, creating a sense of dimensional storytelling without overwhelming the original design. The motion treatment honors the hand-crafted feel of the vintage poster while transforming it into an engaging, living piece of visual history.
This motion design piece centers on the Aesop fable line, "Injuries may be forgiven, but not forgotten," using it as a lens to explore the ongoing fight for women's rights. A soft yet defiant pink color palette anchors the animation, balancing a sense of resilience with a visual nod to solidarity movements past and present.
Vintage imagery from the women's suffrage movement — marches, protest banners, and period photographs — flows seamlessly into footage and graphic elements referencing contemporary protests. Through layered transitions and slow, deliberate motion, the animation subtly draws parallels between the struggles of the early 20th century and the current focus of women's rights today.
The result is a piece that feels reflective yet urgent, honoring the hard-fought battles of the past while reminding viewers that the fight for equality remains unfinished, a story not forgotten, but still unfolding.
This motion design project reinterprets Aesop’s fable The Fox and the Crow through the lens of modern greenwashing and corporate misdirection. Using the full original text, the animation pairs the fable’s timeless warning about flattery and deception with contemporary imagery: glossy marketing visuals, hollow sustainability slogans, and manipulated environmental symbols.
The animation’s tone is subtle but critical, using motion, pacing, and visual metaphor to suggest that, much like the crow, the public can be misled by surface-level charm, and that a sharper awareness is needed to see past the facade.
This motion design project brings Saoirse Ronan’s powerful monologue from Little Women to life through expressive text animation. Using the spoken words as the centerpiece, the project explores the tension between personal ambition and societal expectation, echoing the emotional weight of the performance through movement, pacing, and typography.
Each phrase is given distinct visual treatment based on its emotional tone, softer words drift lightly across the screen, while moments of anger or passion snap sharply into place. The result is a motion piece that feels immediate and alive, honoring both the timelessness of Louisa May Alcott’s message and the contemporary relevance of women's evolving possibilities.
